Cubism Is Great :: essays research papers fc

Cubist TheoryCubism began as an intellectual revolt against the artistic expression of previous eras. Among the specific factors abandoned by the cubists were the sensual appeal of blushing mushroom texture and color, subject matter with emotional charge or mood, the p identify of light on form, movement, atmosphere, and the illusionism that proceeded from scientifically based perspective. To replace these they employed an analytic dodge in which the three-dimensional subject (usually still life) was fragmented and redefined within a shallow plane or within several interlocking and often right-down planes.Analytic and Synthetic CubismIn the analytic phase (190712) the cubist palette was severely limited, largely to black, browns, grays, and off-whites. In addition, forms were rigidly geometric and compositions subtle and intricate. Cubist generalization as represented by the analytic works of Pablo Picasso, Georges Braque, and Juan Gris intended an appeal to the intellect. The cubists sought to show everyday objects as the mind, not the eye, perceives themfrom all sides at once. The trompe loeil element of collage was also sometimes used.During the later, synthetic phase of cubism (1913 through the 1920s), paintings were composed of fewer and simpler forms based to a lesser extent on natural objects. Brighter colourize were employed to a generally more decorative effect, and many artists continued to use collage in their compositions. The works of Picasso, Braque, and Gris are also representative of this phase.The stage setting of CubismIn painting the major exponents of cubism included Picasso, Braque, Jean Metzinger, Gris, Duchamp, and Lger. The chief segments of the cubist movement included the Montmartre-based Bteau-Lavoir group of artists and poets (Max Jacob, Guillaume Apollinaire, Gertrude and Leo Stein, Modigliani, Picabia, Delaunay, Archipenko, and others) the Puteaux group of the contribution dOr salon (J. Villon, Lger, Picabia, Kupka, Marcou ssis, Gleizes, Apollinaire, and others) the Orphists (Delaunay, Duchamp, Picabia, and Villon see orphism) and the experimenters in collage who influenced cubist sculpture (Laurens and Lipchitz).Cubist Inspiration and InfluenceIn painting the several sources of cubist divine guidance included the later work of Czanne the geometric forms and compressed picture space in his paintings appealed especially to Braque, who developed them in his own works. African sculpture, in particular mask carvings, had enormous influence in the early years of the movement. Picassos Demoiselles dAvignon (1907 Mus. of Modern Art, New York City) is one of the most significant examples of this influence. Within this revolutionary composition lay much of the basic material of cubism.